Let me explain . . .

My full time job is wife and mother of five wonderful boys and my part-time career is graduate student in the field of Library Science. I have to divide my time between taking care of my family, my schoolwork, and myself, and often I'm the one who comes in last place in the priority chain. For me, there is no "finding time" or "making time" to read because I always have "to do lists" that trump reading time, but I "steal" time whenever I can to read. It keeps me sane.

Thursday, June 30, 2011

The Kite Runner, by Khaled Hosseini

Title: The Kite Runner
Author: Khaled Hosseini
Publisher: Riverhead Books
Year: 2003
# Pages: 371

Category: Banned/Challenged 2008
Genre: Historical fiction, Bildungsroman


Awards & Honors:
ALA Notable Book
Alex Award 2004 (YALSA "books written for adults that have special appeal to young adults.")


Summary:

This story fits the genre of Bildungsroman very well. The main character, Amir, tells the story as an adult, looking back on the events of his life.

“A Bildungsroman tells about the growing up or coming of age of a sensitive person who is looking for answers and experience. The genre evolved from folklore tales of a dunce or youngest son going out in the world to seek his fortune. Usually in the beginning of the story there is an emotional loss which makes the protagonist leave on his journey. In a Bildungsroman, the goal is maturity, and the protagonist achieves it gradually and with difficulty. The genre often features a main conflict between the main character and society. Typically, the values of society are gradually accepted by the protagonist and he is ultimately accepted into society – the protagonist's mistakes and disappointments are over. In some works, the protagonist is able to reach out and help others after having achieved maturity.” (from Wikipedia)
This story follows Amir, the son of a wealthy businessman living in Kabul, Afghanistan in the 1970s. Amir spends much of his time playing with the son of his father's servant and they are inseparable, an unbeatable team in the yearly Kite flying competitions. Amir and Hassan have a friendship that reflects the tension of their backgrounds because they are not really allowed to be friends. Yet, Hassan has a loyalty and love for Amir that Amir recognizes and values but doesn't fully return. When Hassan's loyalty is tested and he endures terrible abuse at the hands of a bully, Amir must learn to live with the choice he made not to intervene and to keep this terrible secret. It is a secret he carries with him, burdening him, throughout his life. This story chronicles Amir's growth, through the pain of that choice, his relationship with his father, the effects of Russian invasion of his country, his escape to the United States, and his eventual redemption.

My Thoughts:

Before I say any more, I have to explain why I chose this novel to read. In 2008, in my home county--Burke County, North Carolina--there was an uproar concerning this novel. In response to a complaint by a concerned parent, a school board member led a challenge to this book, citing language and sexual content that was objectionable. The response was overwhelming from the community and there was argument for both sides of the issue. Below is an excerpt from a letter written to the school board:

February 26, 2008

Dear Mr. B_________ and Members of the Board of Education:

We write to oppose efforts to remove the book, The Kite Runner by Khaled Hosseini, from Burke County Schools. We understand that a community member has submitted a formal complaint objecting to the book, and one school board member wants to circumvent the normal procedure for challenging books to have The Kite Runner removed because of its vivid descriptions of sexual violence and graphic language. In the meantime, in direct violation of district policy, the Superintendent has told all schools in the district to suspend use of the book pending a review by a Media Advisory Committee.


We also understand that the same board member who objects to The Kite Runner has proposed an amendment to current media policy to ban audio and visual materials “containing sexually inappropriate content, profanity, and vulgar and obscene language or the insinuation thereof.” Books should be evaluated using educational criteria, and “objectionable” content must be viewed in the context of the work as a whole. The proposed amendment, however, which would apply to all materials including books, demands that educators evaluate literature based on inherently subjective criteria and places an overwhelming burden on schools, teachers, and librarians. Even deciding who will judge whether a book’s content is “inappropriate” raises problems. There is no way to ensure that different individuals will view the material the same way. We strongly oppose both the removal of the book and the proposed amendment and urge you to reinstate the book pending review and to adhere to standing district policies in your review of The Kite Runner.

Interesting articles related to the challenge in Burke County:

As a result of this challenge, the book was initially removed from the accepted curriculum during the investigation, but there was an outpouring of support for the book from students, parents, and teachers. Eventually, the school board enacted a policy requiring all texts to be used by teachers in the county to be listed at the beginning of each course. Parents would then have the opportunity to reject any particular text that they felt would be too offensive so that their child could "opt out" of that particular text and be given an alternate text assignment to read.


There were other challenged books that I was interested in reading, but I was compelled to read this one because it was challenged in my hometown. As I began reading, I was drawn into the story, the characters, the emotions and there were times that, honestly, I couldn't contain my sadness, my sorrow for what the characters were enduring and it was difficult for me to continue. Faced with a looming deadline, I debated reading an easier, less emotionally taxing novel, but that, to me, was just not acceptable. This was a novel that had to be read. I knew it would be important for me to finish because it is the type of story that reaches deep into your heart, stays there, and never leaves. This is not the type of story that I could just skim, just get the basic plot line and move on. I buried myself into this story, and when it was done, when it was over, I had to take some time to recover from its emotional burden. I am not convinced I'll ever be free of that burden. I hate the thought of having to assign my unworthy words to this masterpiece. People shouldn't read about this novel; they should read it for themselves.


Now, pertaining to the book challenge, I agree that there are language and scenes described in the text that are objectionable in their content, and every parent has the right and responsibility to monitor the types of material to which their children are exposed in school. However, I do believe that this book is extremely well-written; it teaches about culture and injustices in a way that no history textbook can; the language of the scenes in question is not overly graphic--it is artfully subtle in details but the power and horror of the actions remain. Do I think most high school students should read this book? No. It is the type of book that is meant for adults, for people who have lived long enough to have regrets, to be familiar with guilt, to have appreciation for the role of government in society, to have a personal testimony of the impact that one decision can have on a life. No, most high school students are not ready, are not worthy yet of this book, but some are. And they should not be denied.

Tuesday, June 28, 2011

Redwall: The Graphic Novel, by Brian Jacques

Title: Redwall: The Graphic Novel

Author: Brian Jacques

Illustrator: Bret Blevins

Adapted by: Stuart Moore

Publisher: Philomel Books

Year: 2007

# Pages: 143


Category: Graphic Novel

Genre: Fantasy


My Summary & Critique:

Based on the award-winning novel, Redwall, published in 1986, the graphic novel brings the story alive in a new way, perhaps giving a different readership to this classic animal fantasy. Redwall is a story about a peaceful group of mice and other creatures who live in Redwall Abbey and are threatened by the evil one-eyed rat, Cluny the Scourge, who is bent on destroying them. The young mouse, Matthias, seeks to find a legendary sword, wielded long ago by Martin the Warrior, hero of the Abbey, in the hopes of defending Redwall against invasion by Cluny's evil forces. He faces dangerous adventures as follows the mysterious clues leading him to the sword and in the process finds heroic qualities within himself that match those of legend.


Redwall: The Graphic Novel provides an exciting story filled with honor, duty, good versus evil, friendship, loyalty, and courage. The graphic novel format opens up this story to readers who might have been bogged down in the detailed language of the original work and introduces them to this intriguing story through pictures and dialogue that propel them to keep reading. The black and white pictures effectively communicate the light vs. dark theme taking place in the story and the characters are believable and alive through the artwork. Overall, I would highly recommend this story to young adult readers who enjoy fantasy, action, and tales of honor and courage. In the classroom, Redwall could be used in lieu of reading the traditional novel or could be used in a comparison/contrast of the original work. Comparisons could also be made to similar works, such as the other graphic novel I reviewed, Mouse Guard: Fall 1152, . Students could explore how good and evil are portrayed through the story and artwork and could draw several conclusions about what types of lessons the author is trying to convey. Themes of friendship, loyalty, protection, destiny would be good topics of discussion. Also, both the hero and the villain have dreams of the legendary Martin the Warrior that could be compared. Overall, this version is an excellent use of the graphic novel format to bring an excellent original story to a wider audience.

Monday, June 27, 2011

The Lightning Thief, by Rick Riordan

Title: The Lightning Thief

From the Series: Percy Jackson and the Olympians

Author: Rick Riordan

Publisher: Hyperion

Year: 2006 (paperback)

# Pages: 400


Category: Series

Other books in the Series: Sea of Monsters (2006), The Titan’s Curse (2007), Battle of the Labyrinth (2008), The Last Olympian (2009)

Genre: Fantasy, Mythology


Other books in the Series: Sea of Monsters (2006), The Titan’s Curse (2007), Battle of the Labyrinth (2008), The Last Olympian (2009)


Awards & Honors:

School Library Journal Best Book of 2005

VOYA Top Shelf Fiction

ALA Notable Book 2006

Young Readers’ Choice Award 2008 (chosen by students)


My Summary & Critique:

Twelve year old Percy Jackson tells his story, starting with his sixth grade class field trip to New York City while attending Yancy Academy, a private school for troubled kids. We quickly learn that Percy gets in trouble a lot but seems intelligent and suffers from ADD and dyslexia which do not do him any favors in school. The action gets going quickly when he is attacked by a teacher who turns into a flying monster, and soon discovers that he is not just a typical kid. He soon learns that his best friend, Grover, is actually a satyr and kind of a bodyguard for him. He learns that he is a half-blood or demi-god and he is taken to safety to Camp Half-Blood, a “summer camp” for kids just like him. Along the way, he is being chased by monsters and his mother disappears before his eyes, in the arms of a minotaur, and is presumed dead. At Camp Half-Blood, Percy struggles to find his place and cope with the news of his heritage and newly discovered strengths. He learns that he is actually the son of Poseidon, the god of the sea and brother to Hades and Zeus, the chief god, god of the sky. When Zeus’ lightning bolt is stolen, Poseidon is blamed and Percy is sent on a quest to retrieve the bolt. Percy is accompanied in this quest by his friend Grover and his new friend, Annabeth, half-blood daughter of Athena. Together, they cross the country, enter the Underworld, and battle Ares, the god of war in pursuit of the lightning bolt and attempting to clear Poseidon and Percy of wrongdoing.


The Lightning Thief is fast paced, funny, and packed with action that will keep young adults on the edge of their seats and keep them reading. In the process, they will learn a lot about ancient Greek mythology, perhaps even craving to learn more after the last page is turned. This book’s greatest strengths are the voice of the narrator, Percy Jackson, who is an underdog, likable, humble, and so funny. Young adult readers will appreciate modern references in the story and they will be intrigued by the blending of ancient Greek myths with the modern world. Of course Ares would drive a Harley! Readers who already are familiar with these myths will be amused and entertained by the incorporation of mythological characters, locations, etc. in the modern world. Readers who don’t know much about mythology will want to learn more. It is a win-win situation. This novel would make excellent discussion and read-aloud in schools, especially in the middle grades but high school students will also appreciate such a fun, interesting, and exciting read and will scramble to read the rest of the novels in this series.

The Hunger Games, by Suzanne Collins

Title: The Hunger Games

Author: Suzanne Collins

Publisher: Scholastic, Inc.

Year: 2008

# Pages: 374


Category: Series

Other books in this series: Catching Fire (2009), Mockingjay (2010)

Genre: Science Fiction



Awards & Honors:

2008 Cybil Award—fantasy/sci-fi

NY Times Notable Children’s Book of 2008

School Library Journal’s Best Books of 2008

2009 Golden Duck Award in YA Fiction Category

Publisher’s Weekly Best Books of the Year 2008

California Young Reader Medal 2011—Young Adult category (voted on by kids)


My Summary & Critique:

One of the most popular series of young adult books in the past few years is The Hunger Games, by Suzanne Collins. It is powerful, thought-provoking, and emotionally gripping. The Hunger Games takes place sometime in the future, in a nation known as Panem located in the ruins of North America. Panem is governed by the Capitol, a harsh and cruel dictatorship which keeps control of the other outlying 12 districts through strict rules and restricted access to life’s amenities, even the necessities. Each year, these districts are forced into participating in a type of lottery, “the reaping,” to send one male and one female, age 12 to 18, to fight in “The Hunger Games,” a televised event in which the participants fight to the death while the nation watches on their television screens. When 12-year-old Prim’s name is chosen, her 16-year-old sister, Katniss steps forward to take her place in the Games. She learns that the survival skills she has used to help keep her family fed will become useful as she fights for her life. The story is complicated by her feelings for Peeta, the male competitor from her district who brings more emotion and humanity to the competition, forcing Katniss to consider more than just her own survival.


This is the type of book that is difficult to put down. Around every turn, there is suspense, action, and fully-developed human drama and characterization. The reader is pulled into the lives and thoughts of Katniss and Peeta as they endure the manipulations of the Capitol and prepare for the Games. Then, as the Games begin, their struggle has the reader cheering for them and wondering what pitfalls they will endure next. This book appeals to both male and female readers and keeps them guessing until the end. When the last page is turned, the reader is left wanting more. Thankfully, there are two more books in the series. I believe young adults would really enjoy this book, and I feel it is most appropriate for more mature readers because of its violent content.

Mouse Guard, by David Petersen

Title: Mouse Guard: Fall 1152

Author/Illustrator: David Petersen

Publisher: Archaia Studios Press

Year: 2007


Category: Graphic Novel

Genre: Fantasy Adventure


Awards & Honors:

2008 Eisner Award—Best Publication for Kids

(The Eisner Awards are considered “The “Oscars” of the Comics Industry)

2008 Great Graphic Novel for Teens as named by YALSA


Mouse Guard: Fall 1152 is a hardbound collection of six episodes or chapters that were originally published as single comics. The story centers around three mice, Lieam, Saxon, and Kenzie, who serve in a Guard that protects mice from danger, such as predators, etc. and they uncover a traitorous plot. This is the story of their adventures to find the traitor and uncover the plans that endanger their home city of Lockhaven.

Uses for the classroom:

This graphic novel is recommended for children ages 10 and up, so it covers the younger spectrum of literature that we are dealing with in this class. I felt it was appropriate because it is a wonderful introduction to graphic novels, with wide appeal to boys and girls, with a story that rings familiar. It is like the Three Musketeers mixed with Redwall and a little Rats of NIMH. The illustrations are beautiful and support the story’s fantasy with a serious tone. In the classroom, I believe it would serve as a wonderful introduction to the format and style of graphic novels. The author, David Petersen, is actually also the illustrator, which provides a wonderful partnership between the story and the graphic elements of the work. I would use it to help teach students how to go about reading graphic novels—order of reading the panes, use of art to further the plot, etc. I might have them reproduce the story in another format such as having them retell the plot as an oral story or reproduce the story as a children’s book. I would also teach them how to “read” the artwork in the story because there are many instances where no words are used; rather the artwork carries the narrative and the reader must interpret and intertwine the narration with the accompanying illustrations. This book could be compared/contrasted to familiar story lines such as The Three Musketeers and the three main characters could be pulled out of the story and examined on their individual traits. Students might also compare the mouse world with their knowledge of 12th century human society and note the similarities and differences in language, culture and society. This graphic novel is the first in a series of adventures about these honorable mice and their 12th century world, so students who like it may keep reading further episodes.

Sunday, June 26, 2011

Speak, by Laurie Halse Anderson

Title: Speak
Author: Laurie Halse Anderson
Publisher: Penguin Group
Year: 1999
# Pages: 198 plus bonus material

Category: Banned/Challenged
Genre: Contemporary Realistic Fiction

Awards & Honors: (This is only the list of national awards. This novel has also won many state and bookseller awards.)
  • ALA Best Book for Young Adults
  • ALA Top-10 Best Book for Young Adults
  • ALA Quick Pick for Young Adults
  • Edgar Allan Poe Award finalist
  • IRA Young Adult Choice
  • Junior Library Guild Selection
  • Michael L. Printz Honor Book
  • National Book Award Finalist
  • New York Public Library Book for the Teen Age
  • New York Times Bestseller List
  • SCBWI Golden Kite Award
  • YALSA Popular Paperback for Young Adults
Although this book was published in 1999, it received attention in 2010 when it was the subject of a book challenge in Missouri, instigated by an article written by a college professor who argued its appropriateness for inclusion in the curriculum of a local school system mainly due to descriptions of two rape scenes. A formal, written complaint was filed and this novel was included in a number of complaints about information found in the school system's history and science textbooks as well as the sexual content of two other novels. I was not able to find official information about a decision made in the school system. However, there was quick and overwhelming support for Speak among the local and broader public and literary community. The author of Speak, Laurie Halse Anderson issued several responses, including a video in which she reads an original poem called "Listen." Click here to go to the author's blog and watch the video response. It was actually this poem by Laurie Halse Anderson that made me want to read this book. I stumbled upon it during my Children's Literature class a few months ago, and filed it away in my memory --gotta read that book when I get the chance. So, even though the book fell technically out of our copyright date range for our class assignments, I asked permission to read this book for one of my "challenged books."

My Summary & Critique:

This is the type of book that I stumble to describe because the words don't seem to do it justice. The book opens in Melinda's voice, giving account of her first day of high school, and it is clear that she has a particularly grim view of life. Although she longs for friendship and acceptance, it eludes her as her former friends shun her and she is taunted by others. The reader soon learns that students are upset with her because she called the police at a party over the summer and several people got into a lot of trouble because of this call. Through most of the novel, Melinda chooses not to speak, instead retreating into a dark world of loneliness and isolation. Her silence becomes an integral part of her voice as a character. Melinda takes the reader through her thoughts, her observations and her feelings without using a lot of dialogue to do it. It takes two thirds of the novel before Melinda reveals the details of what happened that night--she was raped. Through a series of events, others eventually learn the truth and she is able to confront her fears and her pain and begin to work through it.

I thought this book was masterfully written. Young adult readers can connect immediately with Melinda and identify with her pain, her depression, and her isolation even when they do not know the cause. Her parents seem disconnected, her family, dysfunctional, so Melinda retreats inward and shuts everyone out through her silence. Much of this book deals with her darkness and depression, but there is also hope. She lives with parents who don't hear her so she chooses not to speak to them; she has terrible teachers, but in the end, she also has teachers and friends who reach out to her and help her through her problems. Melinda is able to find skills and strengths she didn't know she had and she is able to find therapy through art. One thing I liked about this story is that it seems real--no planned happy ending where the bad guy gets the expected punishment. There are loose ends, but they make the story real and not a "made for tv movie." I think young adult readers connect to this story because of its honesty and darkness. Laurie Halse Anderson has brought readers of all ages into the world of teenagers and into the mind of a victim struggling to make sense of senseless situations. There is SO much that could be discussed with a group of students--the silence and shame, symbolism of the trees, clues Melinda gives, turning-points, etc. Yet, I am content to leave it alone, to digest it and not ruin it by pulling everything out in the open. In one of the supplements to the text, the author responds to the many requests that readers have had for her to write a sequel. She doesn't discount the possibility entirely, but I think she probably feels as I do--that this book doesn't need one, shouldn't have one. Sometimes silence is exactly what we need.

Friday, June 24, 2011

Please Ignore Vera Dietz, by A.S. King

Title: Please Ignore Vera Dietz
Author: A.S. King

Publisher: Alfred A. Knopf

Year: 2010
# Pages: 326


Category: Award winner
Genre: Mystery

Awards & Honors:

Michael L. Printz Honor Book 2011

An Edgar Allen Poe Award finalist
A Junior Library Guild selection for Fall 2010
YALSA Best Fiction for Young Adults pick
Quick Picks for Reluctant Young Adult Readers
2011 nominee
Indie Next List Pick for Teens

Kirkus Reviews Best Books for Teens 2010
Cooperative Children's Book Center's CCBC Choices 2011
Pennsylvania Young Reader's Choice Award nominee 2011/2012

Capitol Choices: Noteworthy Books for Children and Teens 2011

Michigan Thumbs Up! Award nominee


Edgar Awards

Every spring, the Mystery Writers of America, an organization of mystery writers based in New York, presents The Edgar Awards to honor the best in various forms of mystery fiction and non-fiction produced in print or other media the previous year. Entries for each year must have been published for the first time in the U.S. the previous year and must be submitted by the publisher, author, or agent. Since 1989, there has been a category of “Best Young Adult Mystery” for grades 8-12 or ages 12 to 18. Winners are presented with a small bust of the award’s namesake, Edgar Allan Poe, and this award is considered to be the most prestigious award for the mystery genre.


Young Adult Nominees for 2011 Edgar Awards







I chose to read Please Ignore Vera Dietz, by A.S. King. Although it did not receive the Edgar award for this year, it was in the top 5 novels considered for this award. It was also a Michael L. Printz Honor book for 2011.

My Summary & Critique:

As I looked for award winning books, Please Ignore Vera Dietz caught my attention, partly because of the title and partly because I was intrigued by the reviews I read written by readers of all ages. The story is told by Vera Dietz, a smart, honest, and vulnerable 18-year old “pizza delivery technician” who struggles with the ups and downs of everyday life, school, friends, job, home, dating, and in the process, tries to sort out how to deal with the death of her best friend. Charlie, who has been her best friend since she was 4, died under mysterious circumstances, and it seems that Vera knows all the answers that would end the mystery and clear Charlie’s name. She spends most of the novel coming to grips with this mystery and dealing with the pain he caused her in the months before his death. Vera's life is shaped by a mother who fled the scene years ago, an alcoholic father, an abusive neighbor, a drinking problem, a dead friend, and the trials and tribulations of being unpopular in high school.

Young adult readers will identify with many of the characters and situations in this book, but they will listen to Vera with affection and understanding because her character’s voice is real, honest, funny, forthright, and strong yet she shows all the emotional vulnerability that makes her a human teenager. The story is told in pieces, some from Vera, some from other characters, even from inanimate objects, with vocabulary lessons interspersed, but it all blends together to make an interesting story. The subject matter and language are for more mature teens.

The Graveyard Book, by Neil Gaiman

Title: The Graveyard Book
Author: Neil Gaiman
Publisher: HarperCollins
Year: 2008
# Pages: 307

Category: Award winner
Genre: Supernatural

Awards & Honors:

2008 Cybils Award

2009 Newbery Medal

Carnegie Medal in 2010

2009 Hugo Award for Best Novel

Locus Award for Best Young Adult Novel


Hugo Award

The Hugo Awards are given on an annual basis by the World Science Fiction Society for the best fantasy or science fiction works of the previous year. Named after Hugo Gernsback, the founder of the science fiction magazine, Amazing Stories, the Hugo Award is one of the most prestigious awards given in the genres of science fiction and fantasy. The awards were first given in 1953 at the 11th World Science Fiction Convention (Worldcon) and are awarded as the central focus of that annual event. Eligible works include any works that were published in English the previous year and are nominated by supporting or attending members of the WorldCon. Nominations are made from January through March and voting to narrow the list to 5 works in each category is completed over the next few months leading up to the convention, which is usually held in September, in a different city around the world each year. There are no written rules regarding specific criteria for the works, so the decision regarding eligibility as sci-fi or fantasy is left up to the voters. Categories for which the Awards are given have changed over time and currently include more than a dozen categories, including works that are written or dramatic.


Out of all the awards won by Neil Gaiman’s, The Graveyard Book, I chose to spotlight the Hugo Award for two main reasons. First, since it won a Newbery Medal in 2009, which is an award for children’s literature, I thought it would be appropriate to spotlight the Hugo because that award was for the Best Novel, with no age category indicated. Young Adult novels can surely straddle this fence between what is considered literature for “children” and for adults. Also, what a wonderful way to receive an award—at a worldwide convention of sci-fi and fantasy enthusiasts and get a cool trophy!!! I’m not sure what all the other literary awards give out besides the attention, a seal, and higher book sales, but a convention and a trophy seem like pretty cool prizes to me.


My Summary & Critique
:

Its first sentence draws the reader in . . . “There was a hand in the darkness, and it held a knife.” The Graveyard Book begins with a gruesome event, the murder of a family, but one small toddler survives, escaping to a nearby graveyard before the mysterious murderer, named “Jack” can find him. There, in the graveyard, he finds safety, friends, a family of ghosts, and a mysterious caretaker who adopt him and agree to care for him and protect him from Jack, who continues to search for him beyond the graveyard boundaries. Naming him “Nobody,” the graveyard inhabitants teach him in wordly and otherwordly ways, preparing him as best they can for the eventual confrontations he must make in the outside world and with his enemies.


I knew, before opening its pages, that this book began with a murder, because I had read a few reviews before deciding that I wanted to read this book. As a parent, I was skeptical about how the author was going to treat a subject so gruesome. Let me just say that I was surprised at the artful use of words, chosen carefully for effect, creating the sense of an event without pulling in all the dramatic emotion of it. The murder sets the stage for the story, but it is not the driving force of it. The reader is quickly drawn in to the life of “Nobody Owens” or “Bod” as he comes to be known. There is mystery and adventure in the graveyard that intrigues the reader. There is the outside world, full of intrigue and danger for Bod, and the reader follows along, interested in what Bod will encounter. I think older children, young adults, and adults are drawn to this story because it has appeal on many levels. It is certainly a fantasy world, populated by ghosts and mysterious creatures, that is intriguing and interesting because it is like and yet unlike our own world. The reader cheers for the innocent Bod, hoping he will find his proper place in the world. Young adults will be impressed by the macabre black, white, and gray artwork placed occasionally throughout the book, giving it a graphic novel feel and making readers of Gaiman’s original genre feel at home. My only criticism of the story is that it leaves a few questions in my mind, a few loose ends that I wish were tied up neatly.





Reaction to first class session

After class, it is obvious that we will be doing a lot of reading this semester, but I am relieved, in some ways, that there is no pressure to read in-depth, pouring over the individual details of each book. However, we do have a lot of assignments to do and we will be very busy with more than just reading. My desire now is to organize my thoughts, my schedule, and get a good list of readings and assignments I need to do in order to survive this semester. I have already read several books, but it is just a drop in the bucket. This will be a busy summer, but I am looking forward to discussing these books in class. Now, it’s time to get busy.